Design 298
Wordmark
A name drawn until it becomes a face. Not a logo you decorate, but letters shaped so precisely they stop being read and start being recognised.
Building one starts with an existing typeface at most as scaffolding. The letters are redrawn, spacing is settled by eye at the sizes the name will actually live at, and one detail is claimed: a cut terminal, a joined pair, a stance. That owned detail is what keeps the name recognisable when colour and context are stripped away.
The test is small and unkind: set the wordmark at sixteen pixels, in one colour, on a crowded surface. If it still reads as a face rather than a word, it is done. If it needs its gold, its spacing or a quiet neighbourhood to work, it is still a headline, not yet a mark.
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